Andrea Piccioni is recognized as one of the leaders worldwide on frame drums. He is author of a technical and stylistic renewal on the Italian Tamburello, has crossed with his style the boundaries of jazz, world, and early music. He is touring worldwide with artists such as Bobby McFerrin, Paul McCandless, Gianluigi Trovesi, Basel Rajoub, Luciano Biondini, Manfred Leuchter, Lucilla Galeazzi, Les Haulz et les Bas, Caitrìona O’Leary, Donàl Lunny and Wu Man. He is a popular teacher at major festivals, universities and conservatories around the world as well. Andrea published DVDs and books dealing with the Italian frame drums and rhythm language.
His musical collaborations include:
World Music: Nidi D’arac, Unavantaluna, Indaco, Lucilla Galeazzi, Masters of Frame Drums (Velez, Fresco, Coskun, Piccioni), Caitríona O'Leary and Dúlra (IRL), Donàl Lunny (IRL), Wu Man (CHINA), Homayun Sakhi (AFG). Jazz: Antonio Calogero, Ensemble Fisfuz (GE), Paul McCandless (USA), Basel Rajoub (SI) Giovanni Palombo, Manfred Leuchter (GE), Gabriele Coen, Luciano Biondini, Gianluigi Trovesi, Bobby McFerrin (USA) Early Music: Freiburger Spielleyt (GE), Orlando Di Lasso Ensemble (GE), Les Haulz Et Les Bas (GE), eX (IRL)
Theater/Dance: Lucia Poli, Giorgio Rossi “Edipo e la Pizia” (IT); Joachim Schloemer “Engel der Verzweiflung”(AU/GE).
In 2014 Andrea start a cooperation with AGA KHAN MUSIC INITIATIVE, with whom he collaborated in musical projects alongside world-famous soloists and ensemble, and as educator at universities, conservatories and music institute all over the world.
In 2015 Andrea was in tour in Europe with the legendary jazz singer BOBBY MCFERRIN.
“… anyone inured to the tambourine because of the unimaginative ‘shake and rattle’ way in which it’s usually misplayed will have had their ears stretched wide by Andrea Piccioni’s virtuoso playing of it and frame drums. Especially in his solo, Piccioni coaxed an astonishing range of timbres and rhythms from his drums with everything from rapid strumming to running a wet finger over the skin to produce wineglass-like drones…”
Julian Maynard-Smith (Classical Source, London - UK)
"…an absolute master on frame drums…"
Womad London (UK,) Womad Abu Dhabi (UEA), Royal Albert Hall (UK), Wigmore Hall (UK), Auditorium "Parco Della Musica (Roma, Italia), Mumbai Royal Opera House (India), Portugal Parliament (Portugal), Norway Parliament (Norway), United Nations (Swiss), Beijing Opera House (China), London Jazz Festival (UK), Istanbul Jazz Festival (Turkey), Jaipur Literature Festival (India), Jerusalem Sacred Music Festival (Israel), Spring Festival (Lebanon, Tunisia), Bimhuis (Holland), Institut du Monde Arab (France), Mela Festival (Norway), Stockholm Jazz Festival (Sweden), St. Moritz Jazz Festival (Swiss), Chamonix "Cosmo" Jazz Festival (France), Cully Jazz Festival (Swiss), Festival di Ravello (Italia), Montalbane Early Music Festival (Germany)…
(Just few of many, many concerts…)
Glen Velez, Zohar Fresco, Murat Coskun, Andrea Piccioni
Four internationally renowned master percussionists join and do, what they can do best: DRUMMING!
Glen Velez (USA), Zohar Fresco (Israel), Andrea Piccioni (Italy) and Murat Coşkun (Germany/Turkey) meet for a “summit of frame drums” and present their unique and literally border crossing project.
Glen Velez is said to be the „Lord of the Frame Drums“, not only because of his 5 Grammy Awards. Furthermore, for many people he is sort of a living legend, for he inspired thousands of percussionists worldwide with his play. He sort of revolutionized frame drum playing like no one before. A living legend without equal, who has been casting a spell over his audience for decades!
Zohar Fresco is also an important and exceptional percussionist. Because of his individual, highly creative and multifaceted play, the Israeli drummer is rated to be the „Virtuoso of Frame Drums“. His innovative and very present play classifies him as a master of his art. Concerning sound, he always comes up with surprising tones and fascinates his audience at any time.
Andrea Piccioni, is the „Maestro of Tamburello Total“. Hardly no one masters the Italian tambourine play like he does, when breathing new life into these ancient instruments. His groove on the tambourines is constantly convincing, no matter if he tours with Bobby Mc Ferrin or links Italian traditions together with musicians from Arabia.
Murat Coşkun, the „Dervish of Frame Drums“ is a musical ambassador, who unifies with his projects the most diverse cultures worldwide. He scoops his inspirations from the tradition of the Sufi music, and introduces these facets of the frame drums into the quartet, by means of his sensitive, and at the same time imaginative play.
The four musicians offer a program full of contrasts, moving between compositions and improvisations. They engender a firework of rhythms and grooves. Unexpected sounds and changing atmospheres let arise intense and contemplative moments, alternating with humorous performances.Their first common tour, eagerly awaited by all the lovers of percussion!
"the mediaeval and renaissance loud band"
Gesine Bänfer - Schalmei, Pommer
Ian Harrison - Schalmei, Dudelsack
David Yacus - Busine, Zugtrompeten
Nathaniel Wood - Busine, Zugtrompeten
Nora Thiele - Tympani, Naquares
Andrea Piccioni - Tamburello, Percussion
'The shawm players play on instruments of various sizes, some high for the upper voices, some low - commonly called bombard - for the middle and bottom voices. Sometimes ... they are joined by brass players who play on a kind of trumpet known in Italy as the trompone and in France as the saque-boute. When all these instruments play together it is called the alta.' Johannes Tinctoris De usu et inventione musicae Naples, c.1487
CURRENT: CD-NEW RELEASE
LES HAULZ ET LES BAS
Concilum to Constance
The latest co-production of ahalani-records with Deutschlandfunk Kultur.
The Council did not begin well for Pope John XXIII. In the late autumn of 1414 - shortly before his destination - he crashed on Vorarlberg with his car. It was a bad omen. Together with King Sigismund, he himself had convened the Council of Constance. The political and spiritual elite of the Christian world gathered for this summit meeting, followed by their trumpeters and pipers, choir singers and composers, who followed their employers to the scenes of power. The numerous masses during the Council were framed with sacred chants of a high professional standard, but in front of the church doors the high guests represented themselves to the heavenly sound and the hellish noise of trumpets and shawms. In his chronicle of the Council of Constance, eyewitness Ulrich Richental describes the rides of Köng Sigismund and his entourage:
"...do all the whistles and prosons of the whistles and prosons are so severe that no one wants to hear his own word wol."
The ensemble Les haulz et les bas celebrates its 25th anniversary this year and has put together a programme on the occasion of the Council celebrations which represents the wind music of the Alta Capella, as it may have sounded during the Council 600 years ago. They play compositions by the great medieval composers Guillaume Du Fay, who probably came to Konstanz as a choirboy and who was once to call Pierro de Medici the greatest ornament of our age, Antonio Zachara da Teramo, whose name has appeared on the remuneration lists of the counter-pope since 1413 and who is considered lost since the disappearance of the Pope from Konstanz; by Johannes Ciconia, whose motet Doctorum Principem is dedicated to his patron Francesco Zabarella, who planned the Council as legate of the counter-pope with King Sigismund; with Oswald von Wolkenstein, who was accepted in February 1415 in Konstanz into the retinue of King Sigismund, the famous singer, politician and composer, who set a monument to himself in his songs as a brawler, ogre and womanizer. He made uninhibited use of European songs and used polyphonic compositions from Italy, France and the German-speaking world, which he underlaid with his own songs. In Constance he received decisive impulses for his polyphony.
Capanne con vista
Riccardo Tesi, organetto (diatonic accordion)
Patrick Vaillant, mandolin
Andrea Piccioni, frame drums, percussion
Il duo Tesi/Vaillant, che negli anni novanta sorprese le platee internazionali grazie ad una musica coraggiosa e originale, riprende oggi il suo cammino con la complicità di Andrea Piccioni, grande maestro dei tamburi a cornice.
Mandolino, organetto diatonico e tamburello, tre strumenti della tradizione nelle mani di tre autentici virtuosi che ne dilatano a dismisura le possibilità espressive ed il vocabolario.
Tutti e tre condividono lo stesso spirito: quello di una musica strumentale senza frontiere, innovativa e spregiudicata ma con radici ben salde.
Un universo musicale accattivante perché familiare e sorprendente allo stesso tempo.
E così le loro "capanne con vista", ben affacciate sul mediterraneo, diventano il luogo ideale dove assemblare e coltivare le loro utopie sonore.
Cuerdas y Golpes
"Baroque music between Italy and Spain for guitar, theorbo, percussion"
Luca Marconato, baroque guitar, theorbo
Andrea Piccioni, frame drums, percussion
LUCA MARCONATO: Italian musician, born in 1979, has established itself in the field of early music at internationally, performing for major italian and foreign festivals. He works as a soloist and continuo player with such early music ensembles as Concerto Romano, Arte-Musica, Modo Antiquo, La Magnifica Comunità, L'Arte dell'Arco, Quartetto Bernini, Mare Nostrum, Gene Barocco, Tuscan Chamber Orchestra, Musica Antiqua Latina, Orchestra regionale di Roma e del Lazio, Concerto de ' Cavalieri .
He has a brilliant concert career that has led him to perform in major international music festivals, including: "Resonanzen Fest - Konzerthaus Wien" (Austria),"Salle Gaveau - Paris" (France), "Festival St Ursanne”, "Festival de Saint Germain - Genève" (Switzerland), “Chapelle de la Trinité – Lyon" (France), “Elizabeth the 2nd Queen's Gallery at Holyroodhouse Palace” and “National Gallery of Scotland in Edinburgh” (Scotland), “Shouson Theatre at Hong Kong Arts Centre” (Hong Kong), Town House (Inverness, Scotland), Tehran and Hamadan Fest (Iran) "Herne Festival" (Germany), "Ritz - Carlton" (Half Moon Bay, CA, USA) , "Lancut - Festival" (Poland), "St Michelle en Thièrache" (France), "Rheingau Musik Festival", "Kempen Festival", "Weimar Fest", "Funkhaus Fest – WDR Koln", "Bad Arolsen Fest" (Germany), "Festival of Two Worlds" – (Spoleto, Italy) , "Rome Baroque Festival", "Le Feste di Apollo" (Parma, Italy), "Viterbo Baroque Festival", "Ischia Music Festival", "Les Fleurs Bleue", "Oratorio del Gonfalone", "National Gallery of Venice Palace",“We are the future” - (Rome, Italy).
He has recorded for many music labels as Naive - Opus 111, Brilliant Classic, CPO, Christophorus - Glossa, Tactus, WDR3, Diapason, Domani Musica, Arcophon - Rivoalto - Pirelli Re, Bongiovanni, Espace 2 (Swiss radio), ORF (Austrian Radio), RAI Radio 3, BBC, RAI2, Vatican Radio, and the Department of Musicology at the University "La Sapienza" (Rome).
Parallel to the concert career Luca Marconato is internationally recognized as a video director for music videoclips, docu- films, commercials and live concerts and as a film music composer.
ANDREA PICCIONI: Andrea Piccioni, a native of Rome, is a master performer on frame drums— single-headed drums, sometimes with jingles, played with the hands rather than with sticks. After mastering the Italian tamburello, Andrea studied frame drum rhythms and performance techniques from the Middle East, North Africa, and Central Asia, crossing with his unique style the boundaries of jazz, world, and early music. He is touring worldwide with artists such as Bobby McFerrin, Paul McCandless, Gianluigi Trovesi, Basel Rajoub, Luciano Biondini, Manfred Leuchter, Lucilla Galeazzi, Les Haulz et les Bas, Caitrìona O’Leary, Dònal Lùnny and Wu Man. In parallel he’s a popular teacher at major festivals, universities and conservatories around the world as well. Andrea published DVDs and books dealing with the Italian frame drums and rhythm language.
In the deep of my soul
"a frame drums odyssey"
Andrea Piccioni, frame drums, tamburello, vocals, overtone singing, sansula, mouth harp
Andrea's solo concert unfolds through the multiform and extraordinarily rich world of frame drums, enriched by singing and melodic instruments such as the sansula, the mouth harp and others. Tradition is the starting platform, which is reinvented through the hands of its bearers without ever disowning itself, but reinventing itself as an Odyssey of sounds and changing images, sometimes mystical, sometimes wild and passionate, always surprising.
Il concerto solo di Andrea si dipana attraverso il multiforme e straordinariamente ricco mondo dei tamburi a cornice, arricchito dal canto e da strumenti melodici come la sansula, lo scacciapensieri e altri. La tradizione è la piattaforma di partenza, che viene reinventata attraverso le mani dei suoi portatori senza mai disconoscere se stessa, ma reinventandosi, come un Odissea di suoni e immagini cangianti e mutevoli, a volte mistiche altre sfrenate e passionali, sempre sorprendenti.